Search: Starring Daniel Bruhl

In the first part of the film, the script zips along with plenty of laughs but the biggest problem is that the characters, in particular Marion, become increasingly difficult to like.

The seven stories knit together well, and provide an engrossing and alternative view of a city whose image has long been absorbed into popular culture

It is often amongst the international Oscar contenders that one finds the year’s best films. Even after accounting for that, this is something special.

This is about car/motorbike chases, ruthless corruption at the highest level, a focused defense of one man’s pursuit of truth and ... the hint of romance.

The oddities don't add up to anything and the love story between Adam and Helene is as predictable as it is sad.

Cargo gets scuppered by its serpentine story, which is more confusing than compelling.

The action scenes in general are well put together, and good use is made of the potential for things to go wrong in space without resorting to too many familiar devices.

The film does entertain, even excite at times, but it never creates a sustained atmosphere of dread.

eingartner keeps us guessing and the deliberately ambiguous ending offers plenty of possibilities but no answers.

The story expands beyond the conventions of a Boys Own adventure

Graphic violence is mixed with tongue-twisting wittiness in Tarantino’s peerless signature style.

The result is a whole lot of portent with little pay-off.

If you can tolerate the soft focus and picture postcard shots in return for a pleasant, feelgood movie, by all means go see it.

The end result may look good but it never feels distinctive despite the wealth of talent involved in front of and behind the camera.

Scriptwriter Daniel Kehlmann has tailored the role to fit the star like a sharp suit.

Undoubtedly a classy mainstream product.

Where we should be caught up in the emotion of a man staring death in the face, we are, instead, marvelling at the sudden clunky switch from Seventies crime thriller posturings to run-of-the-mill prison melodrama.

Elegantly put together and watchable throughout, but falling short of the potential offered by this fascinating case, Woman In Gold has the shiny appeal of Klimt's work but none of the depth.